The Renaissance(1430-1600)

  • Period: 1390 to 1453

    Dunstable

    English leader of the newer, consonant style of music
  • Period: 1397 to 1474

    Dufay

    A founder of the newer, consonant style of music
  • Period: 1397 to 1474

    Du Fay

    Franco-Flemish, first important Renaissance composer
  • Period: 1400 to 1460

    Binchois

    Founder of the newer, consonant style of music
  • Period: 1410 to 1497

    Ockeghem

    Bass Singer
  • 1430

    Melody

    Flowing and Melismatic, Wider Leaps, Top voice was the bearer, vague quality in polyphony. Sometimes a sung melody accompanied by subservient instrumental melodies
  • 1430

    Harmony

    Progressions of 3rds and 6ths, Dissonances discouraged and always resolved. Still based on church modes. Modality tonal system
  • 1430

    Three and Four-Part Polyphonic Works

  • 1430

    Homorhythm

    Common in both instrumental and vocal music
  • 1430

    Counterpoint

    Renaissance composers' primary technique
  • 1430

    Cori Spezzati

    One larger choir broken into two smaller ones
  • 1430

    Haut or Bas

    Loud or Soft Instruments
  • Period: 1430 to 1540

    Secular Tunes

    Used as basis of sacred composition, Cantus Firmi
  • Period: 1435 to 1511

    Tinctoris

    Theorist that announced a rebirth in the art of music
  • Period: 1450 to 1521

    des Prez

    Considered by Martin Luther to be the "best of the composers of our time"
  • Period: 1450 to 1517

    Isaac

    Franco-Flemish Composer
  • Period: 1452 to 1518

    de la Rue

    Leading Composer at the Burgundian court
  • Period: 1457 to 1505

    Obrecht

    Made important contributions to large-scale forms and their unity
  • Period: 1466 to 1539

    Petrucci

    First Music Printer and Publisher
  • 1476

    Imitative Counterpoint

    Developed by Josquin
  • Period: 1483 to 1546

    Luther

    German theologian and composer
  • 1500

    Rhythm

    Largely simple compared to ars nova
  • 1500

    Five to Eight Voice Textures

  • 1500

    Actual Dynamic Markings

    Appeared in Lute Literature
  • Period: 1505 to

    Tallis

  • Period: 1532 to

    Gabrieli

    Italian organist, composer, teacher, uncle of giovanni
  • 1540

    Madrigals

    New modern genre, Largely poetic forms
  • Period: 1540 to

    Byrd

    English, Catholic composer writing for both catholic and protestant churches
  • Period: 1567 to

    Monteverdi

    Ahead of his time, took music into a new style