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Mahler
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Albeniz
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Debussy
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Delius
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Mascagni
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Strauss
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Sibelius
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Satie
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Rachmaniov
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Ives
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Ravel
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Bartok
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Stravinsky
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Berg
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Boulanger
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post romantic
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Maximalism
All musical elements were pushed to the extreme and were focused on expansion on all aspects of music and ensembles. Music was dense with patterns and themes. The term was also used to describe Mahler and Strauss' music. -
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Impressionism
Debussy was the main one that introduced impressionism in France in the 1990s. a melody could be taken and put in a random place in the piece. structure for chord progression was abandoned and all were treated the same. however, the music till remained tonal. t sonata and other forms were abandoned for forms such as binary and ternary. -
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Expressionism
Atonality is born from expressionism by treating all twelve notes the same. This was the most rebellious of the genres in the 20th century. Schoenburg leads the way in Germany. Melodies were optional and harmonies and texture were indeterminable. -
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Prokofiev
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Cowell
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Undisguised avant-garde
Mostly was used to blatantly make fun of and spoof wagner-esque styles from the romantic era. had little regard for emotional opulence and trivialized it. Notable composers are Satie and Faure. -
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Neo-Classicism
a revival of 18th-century ideas of objectivity and clarity. combined the textures, topics, and forms and combined with the modern tonality, harmony, and timbres. -
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Primitivism
reflected the art movement in that it showed nature as the only way of life. Used western subjects of a naive or folk-like nature. -
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Cage
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World War l
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Dadaism
A period of anti-art that took shape during the 1st world war that favored intuition, irrationality, and nonsense. This opened the doors for more avant-garde artists and composers to explore more of their genre. -
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Bernstein
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Non-Tonal
Used other elements other than pitch. Percussion ensembles in later years benefitted from this genre. -
Williams
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World War ll
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Musique-concrete
The idea that one can superimpose recorded sounds of nature, i.e. birds, water dripping, a train passing, etc. to the piece itself. -
Lansky
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Webber
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Aleatoric
Composers left some elements of a performance to chance. performances were almost never the same twice. Ives and Cowell are notable composers. -
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Indeterminate
Another genre that leaves elements of music to chance but could specify one of three types. The first presented itself in aleatoric music inhow the piece could be perfored in different ways. the second would be the way a piece is composed (using probability theories for example), and the third would be to simply notate visal signs and symbols suggesting how the piece could be played. -
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Electronische Musik
The beginning of electronic music developed in Germany. -
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Textural
Sound masses: textural music worked alongside SM which could function contrapuntally but not composed with melodies, harmonies or rhythms. -
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Maximized Expressionism including integral serialism
Think Maximalism and Expressionism got together and had a baby. Boom: Maximized Expressionism -
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Minimalsim
small repetitive sections of pitches, chords, or rhythms. differs little after repeating a while. -
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Neo-romanticism
think music that is more accessible to common audience. has more romanticism dissonances as well as melodies, harmonies, and texture. -
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Neo-Tonality
Consonance and dissonance are blending into each other -
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Post-modernism
most inusove style of music up to this point. wants to unite past forms of music into a "new eclectic cycle". -
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Totalism
People who didn't like minimalism decided they were going to take maximalism as far and as complex, as they could. -
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New Complexity
Think totalism on steroids and plus a little more. dissonance is a desirable aesthetic. -
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Globalization
the impact of technologies today have lead to this.